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REAL NAME: Akshay Kumar
NICKNAME: Akshay Kumar
DOB: 9 September 1967 (age 54 years), Amritsar
BIRTH SIGN: Virgo
FATHER: Late Hari Om Bhatia
MOTHER: Aruna Bhatia
SIBLINGS: Alka Bhatia
SPOUSE / WIFE: NA
CHILDREN: Aarav Kumar, Nitara Kumar
INSTAGRAM HANDLE: https://www.instagram.com/akshaykumar/
TWITTER HANDLE: https://twitter.com/akshaykumar?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor
FACEBOOK HANDLE: https://en-gb.facebook.com/akshaykumarofficial/
Known for his versatility, Akshay Kumar is an Indian actor who rose to fame in Bollywood. He was the son of a government servant in a country where acting is commonly passed down through the generations. He trained in dancing and martial arts as a young man, and his first acting job in Aaj was as a martial arts instructor, for which he received no credit and was given no dialogue (1987; Today). Deedar (1992; “Glimpse”) director Pramod Chakravarthy offered him a major role after he worked at a Bangkok food stand, tried his hand at modeling, and acted in various films. He adopted the stage name Akshay Kumar throughout those formative years of his career.
When Khiladi (1992; “Player”) was released and garnered him a lot of attention, Kumar was thrust into the limelight. In action flicks like Main Khiladi Tu anari (1994; I’m the Expert, You’re the Novice), Kumar played a police inspector protecting a star witness, displaying his athleticism and reckless spirit. One of the most successful Indian films of 1994, Mohra, featured him as a conflicted police officer again. He also appeared in romantic comedies such as Yeh dillagi (1994; The Game of Love), a loosely translated American film Sabrina, and Dhadkan (2000; “Heartbeat”), a story of an arranged marriage in which Kumar’s character must win over his unwilling bride. An unexpected appearance as a philandering spouse and killer in Ajnabee (2001; “Stranger”) garnered him the best villain award at the Filmfare Awards, his first.
Another new type of role for the versatile actor came with Hera pheri (2000; “Monkey Business”). This movie was based on the Indian abduction caper film Ramji Rao Speaking (1989), and it was so popular that it spawned a sequel (2006). As he continued to star in comedies, Kumar won a second Filmfare Award for his performance in 2005’s “Hot Spice,” for best actor in a humorous role.
Beginning in Bombay (now Mumbai), the Hindi-language sector of the Indian film industry, Bollywood has grown into a vast cinematic empire over the last century.
In 1934, Himansu Rai created Bombay Talkies, which paved the way for the development of Indian cinema. For decades, Bollywood has produced a number of famous genres, including the historical epic, the curry western, the courtesan film, and the mythical movie, all of which feature gorgeous photography and seductive dance choreography (1975).
The films were typically driven by the stars rather than the plots. Ashok Kumar and Devika Rani, the first big star couple to emerge in 1936, stoked an Indian public’s unquenchable thirst for information about their movie heroes. As a result of this, male performers such as Raj Kapoor, Dilip Kumar, and Dev Anand were popular in the 1950s, 60s, and 70s; Rajeesh Khanna was popular in the 70s; Amitabh Bachchan was popular in the 80s; and Shah Rukh Khan was popular in the ’90s, among others. Hema Malini and Madhuri Dixit dominated the ’80s and ’90s respectively, while Mumtaz was popular in the ’50s, Zeenat Aman was prominent in the ’70s, and Madhubala was prominent in the ’60s.
More than 1,000 feature films a year were being produced in all of India’s major languages and in a range of Indian towns by the turn of the 21st century, and worldwide audiences began to form among the South Asian community in the United Kingdom as well as the United States. To this day, Bollywood movies are known for their predictable plots, well-staged combat sequences, catchy songs, heartfelt melodramas, and heroic leads that seem larger than life.
the process of organizing, rehearsing, and performing a play or other theatrical production. Such work is given to an audience at a certain time and location by live performers who use inanimate figures, such as puppets, to deliver it. Dramatic or non-dramatic activities can be portrayed in a theatrical production.
It is not the use of a written text, but rather the fictional mimetic (from Greek mimesis, “imitation,” “representation”) quality of the performer’s behavior that makes a piece dramatic. As an example, an acrobat walking a tightrope is performing an acrobatic act, but an acrobat pretending to walk a tightrope is a dramatic act. While both actors are putting on a show, only the latter is creating a dramatic illusion. A dramatic performance may contain nondramatic aspects such as dance, singing, juggling, and acrobatics, but its primary focus is on the portrayal of real or imagined life.
When it comes to non-dramatic theatrical performances, there is no attempt to portray “another existence,” but rather the performer’s ability to entertain or excite the audience through his or her performance.
There may be so many different types of activities in a single theatrical play that it is easy to determine the final work’s artistic quality. Unlike a play by the 19th-century Norwegian dramatist Henrik Ibsen, a song by the 19th-century Romantic composer Franz Schubert can be performed without much emphasis on nondramatic action. But there are many other forms and styles of theatre that don’t fit well into either one of these two categories. Drama and music are used in different ways in opera, for example.
Akshay was born on 9 September 1967 in Amritsar, Punjab, India. He studied at Don Bosco High School, Mirik, Darjeeling, and at around the same time, he began studying Karate. Since childhood, Akshay has been involved in sports and martial arts. He was raised in Old Delhi and then moved to Koliwada in Mumbai. Later, he joined Guru Nanak Khalsa College (King’s Circle) Mumbai but dropped out of college as a bad student.
He relocated to Bangkok, and there he studied martial arts. He’s a Black Belt in Taekwondo, and he’s even studied Muay Thai (Thai Boxing). Akshay worked as a chef and a waiter while in Bangkok. Upon his return to Mumbai, Akshay worked as a peon for a travel organization in Kolkata and became a martial arts teacher. Akshay was advised to take on the modeling of one of his students because of his good looks and dashing personality.
He started his career in the world of glamour, modeling assignments. Akshay changed his name from Rajeev Om Bhatia to Akshay Kumar, the stage name of an actor opposite his favorite actress in a movie. He also worked as a background dancer in a number of films and eventually entered Bollywood, making his debut on-screen appearance in 1991 with the film Saugandh. It was in 1992. He played the lead in Deedar’s movie. Since then, he hasn’t been looked back.
Akshay is well known for having a rugged personality having 42 inches of the chest, 34 inches of waist, and 16 inches of biceps. He is 5’11” tall and his weight is 80 Kgs. He’s a fitness enthusiast and follows diving, kickboxing, and other workouts to keep him in shape.
Akshay belongs to the Hindu Punjabi family. His father’s name is Hari Om Bhatia. He was a government worker who served as an army officer and later resigned to become an accountant at UNICEF. Akshay’s father was a companion to the late Dara Singh. His mother, Aruna Bhatia, was a householder. He’s got a younger sister, Alka Bhatia.
Akshay Kumar was well known for his playboy nature in his early days and before his marriage. He had a number of love affairs with several of Bollywood’s leading actresses. He was claimed to have had a relationship with Pooja Batra, Ayesha Jhulka, and Rekha. There were also reports that he had been engaged to Raveen Tandon after three years in a relationship with her. The couple, however, broke up.
Akshay and Shilpa Shetty were also said to have been in a relationship for a year but the latter broke up with Kumar because he was cheating on her with her best friend Twinkle Khanna. Akshay was rumored to be in a relationship with Priyanka even after his marriage. However, Twinkle’s decision not to allow Akshay to work with Priyanka put an end to speculation.
Akshay fell in love with Twinkle Khanna. She is the daughter of Rajesh Khanna and Dimple Kapadia, and soon, on 17 January 2001, they both tied a knot. The couple’s got a son, Aarav, and a daughter, Nitara. Akshay is very interested in the privacy of his children and mostly avoids any media contact with them; giving them a regular lifestyle.:
Akshay tried his luck in Bollywood through the 1991 film ‘Saugandh’ and later appeared in ‘Dancer,’ ‘Mr. Bond,’ ‘James Bond,’ ‘Deedar;’ he had a big break with the 1992 film ‘Khiladi.’ It was reported that Akshay’s fate had changed drastically when he missed a flight in which he was to be present for a modeling assignment. He approached various studios with his portfolio in search of a job when he was depressed by missing his flight. Pramod Chakraborty noticed him and signed him up for ‘Deedar’ (1992).
While Akshay’s previous movies weren’t doing well at the box office, he got exposure to his dance and stunts; soon, he started getting offers for action movies. ‘Yeh Dellagi,’ released in 1994, made him the top league actor of that period. With a string of action performances and popular Khiladi films such as ‘Main Khiladi Tu Anari’ (1994), ‘Sabse Bada Khiladi’ (1995), ‘Khiladiyon Ka Khiladi,’ Akshay’s name was ‘Bollywood Khiladi’ and ‘Action Hero.’ With his 2000 blockbuster hit ‘Hera Pheri’ alongside Paresh Rawal and Sunil Shetty, Akshay also marked his entry into comic roles. He stared in the sequel to Heri Pheri, the comedy hero’s name.
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As you probably are aware, Akshay Kumar is an Indian film Actor. He is additionally referred to by his different callings, for example, maker. He was conceived in 1967 in Amritsar, Punjab, India. He is dynamic in the film business since 1991. The principal film of Akshay Kumar was “Saugandh” in 1991. There is a rundown of Akshay Kumar motion pictures: Khiladi, Kayda Kanoon, Ikke Pe Ikka, Maidan-E-Jung, Insaaf: The Final Justice, Mr. what’s more, Mrs. Khiladi, International Khiladi, Ek Rishtaa: The Bond of Love, Jaani Dushman: Ek Anokhi Kahani, Police Force: An Inside Story, Ab Tumhare Hawale Watan Saathiyo, Deewane Huye Paagal, Bhagam Bhag, Singh Is Kinng, Desi Boyz, Khiladi 786, Housefull 3, Toilet: Ek Prem Katha, Pad Man, Housefull 4, and so forth. He was likewise found in TV serials like Fear Factor: Khatron Ke Khiladi, MasterChef India, Jamai Raja, The Great Indian Laughter Challenge.
Several forms combining dramatic and nondramatic elements emerged in Europe and the United States during the twentieth century. Some acts in vaudeville are representational and others are not; for example, a fictitious sketch is followed by a musical and dance number, whereas a dexterity demonstration is followed by a comedy routine. Singing and dancing are integral parts of musical theatre, both for the sake of the story and for the sake of a respite from the solely dramatic presentation. In many Asian theatres, dramatic moments are developed by dance performances. A theatrical production must be defined in an open-ended manner following these examples.
See theatre, directing, and acting for a general discussion of theatre as an art form and a treatment of the craft of acting and directing. Stage design refers to the artistic aspects of a play’s production. Dramatic literature encompasses all forms of dramatic writing, including plays. Numerous more articles, some of which focus on a particular country or region’s literature or theatre, discuss drama or dramatic literature: This includes theatre and film from the western world; African literature; American literature; English literature; French literature; German; Greek; Japan, and Oceanic literature. Circus and puppetry are also examples of theatrical productions.
Director Peter Brook believes that theatre occurs whenever someone enters a neutral location and is being seen by another individual. There are several issues with this definition of theatre, such as the difficulties in establishing a neutral setting, but it is valuable in its firm dedication to demystifying theatrical production. When it comes to theatre, it was once thought that actors were motivated by the desire to astonish and wow their audience. Rituals and magic are certainly a part of certain theatrical performances, but for the most part, theatre is rooted in attempts to organize feelings and experiences.
Generally speaking, all theatrical works have the following aspects in common: the performer or performers, their acting in space (typically some sort of stage) and time (generally some limited duration of performance), and a producing process and structure. We’ll go into more detail about each of these topics in their own section.
Historically, nondramatic performances have included the highest levels of physical skill in Western theatre. Asian theatre, on the other hand, does not make such distinctions. For both Chinese opera and Japanese drama, an actor must play the same character for the rest of his career. There are precise movement and speaking patterns that an actor must follow when playing this role that can only be learned through extensive physical training. It is possible that an actor with exceptional talent will pass on to the next generation of actors the ability to bring to a part certain nuances of the tradition.
It is not uncommon in Western play for the actor to be given a more limited repertoire of actions and words. During the Italian commedia dell’arte period, players specialized in one character and passed on a set of situations, speeches, and lazzi to their successors (stage sketches, or routines). However, they appear to have had greater freedom to express themselves creatively than their Asian counterparts. Actors in the Western theatres have had to demonstrate a high level of rhetorical ability because of the complexity of the metrical patterns in Greek, Latin, French, English, and Spanish drama.
Late-nineteenth-century naturalistic theatre made rhetoric useless, requiring actors to hide their virtuoso skills by creating the illusion of common behavior. Because of this, the actor’s portrayals of psychological traits were accorded a higher degree of significance. Rather than being the result of structured behavior, a performance’s allure was now drawn on its audience members’ profoundly personal revelations. The actor must be able to concentrate intensely, either on the audience directly or on a fellow actor and, therefore, indirectly, on the audience, in order to perform this well. The actor’s ability to portray a concentrated power, or “presence,” has grown increasingly vital as established performing patterns have faded away. Rather than an immutable quality, being present involves a dynamic, ever-evolving process that unfolds in front of the audience’s eyes.
Audience members are frequently acknowledged in non-dramatic theatre and may even be played directly to by the artist. If the performer is in a dramatic production, they can choose to do this or not. An actor playing the author’s character in Greek Old Comedy can coax, counsel, or challenge the audience. The naturalistic actor, on the other hand, acts as if a “fourth wall” separates the stage from the audience. There are a multitude of connections that fall in between these two extremes. In other cases, the audience is supposed to be performing a role even though they are not directly involved, such as in trial plays where the audience is treated as a jury or as observers in a court of law. Some actors will speak directly to the audience, while others may act as if there is no fourth wall between them and the audience.
The relationship between the performance and the audience is influenced by the artist’s social position and role. The performer might be considered as a celebrant, a servant, or a critic of the society in its broadest sense. The actor’s role as a celebrant is similar to that of a priest, and in some productions, the actor may even take on the role of a priest. In these situations, the actor serves as a go-between for the general public and the divine or spiritual realm. The activities of the actors have a religious and dramatic meaning in Greek tragedy, Japanese Noh theatre, and medieval mystery plays, although this is not always the case.
More frequently than not, the actor has played the role of a servant, similar to a home aide or a clown at a court. Actors, for example, were slaves or low-ranking freedmen in antique Rome. Actors in Elizabethan England were considered rogues and vagabonds if they did not have the support of a wealthy court patron. As servants or inferiors, these performers were forced to address their listeners in a supplicatory manner. A new dynamic emerged in the commedia dell’arte world, one in which the performer-audience connection was transformed into one of producer and consumer.
|Akshay Kumar Address, Phone Number, Email ID, Website|
|House address (residence address)||Amritsar|
United Agents Ltd.
12-26 Lexington Street
London, W1F 0LE
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United Agents Ltd.
12-26 Lexington Street
London, W1F 0LE
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