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REAL NAME: Barrington Levy
NICKNAME: Barrington Levy
DOB: 30 April 1964 (age 59 years),
BIRTHPLACE: Clarendon, Jamaica
BIRTH SIGN: Taurus
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: NA
INSTAGRAM HANDLE: https://www.instagram.com/barringtonlevy411
TWITTER HANDLE: https://twitter.com/MrLevy411
FACEBOOK HANDLE: https://www.facebook.com/BarringtonLevy411
Barrington Ainsworth Levy is a Jamaican musician who is known for his reggae and dancehall music. He was born on April 30th, 1964. After the release of “A Long Time Since We Don’t Have No Love” the next year, Levy launched his solo career. Even though the record was not successful, the fourteen-year-old was a well-liked performer at Jamaican dance halls.
Delroy Wright, a record producer, said in an interview with Midnight Raver in August 2014 that his brother Hyman Wright was the one who introduced Barrington Levy to him for the first time in the middle of the 1970s. Wade “Trinity” Brammer initiated the meeting. Before Hyman Wright introduced Barrington Levy to Henry “Junjo” Lawes, Hyman Wright reportedly recorded several recordings with Barrington Levy. Delroy Wright claims that this occurred.
It was subsequently decided that these songs would be included on the album Bounty Hunter, which was issued by the Jah Life record label. Each of the two record producers collaborated with the Roots Radics to record several recordings, some of which were successes and helped launch Levy’s career. These records include “Al Yah We Deh,” “Looking My Love,” “Englishman,” “Skylarking,” “Wedding Ring Aside,” and “Collie Weed.”
Levy’s subsequent songs, such as “Shine Eye Girl,” “Wicked Intention,” “Jumpy Girl,” “Disco Music,” “Reggae Music,” “Never Tear My Love Apart,” “Jah,” “You Made Me So Happy,” and “When You’re Young and in Love,” were every bit as popular as their predecessors. After that, Levy collaborated with Toyan, Jah Thomas, and Trinity to record several duets, and he also made an appearance at Reggae Sunsplash in 1980 and 1981.
Shaolin Temple, Bounty Hunter, Shine Eye Gal (United Kingdom), and Englishman, a record that received widespread critical praise, were the four albums that Levy published before 1980. This was even though LPs were not very significant in Jamaica at the time. “Joke business” was how he referred to the fact that many of his previous studio and sound system performances were republished without his approval as a result of his popularity.
Upon the release of his album Robin Hood in 1980, Levy had already established himself as one of the most prominent figures in Jamaican music. Additionally, he was gaining a rising reputation on a global scale, particularly in the United Kingdom. Run Come Ya, a rare showcase album released in 1981 and distributed by the Canadian Puff Records label, was where Levy made his debut as a producer. That album was released in 1981.
After a brief hiatus from album releases, Levy went on to release a string of successful singles, some of which include “Mary Long Tongue,” “In the Dark,” “Too Poor,” “I Have a Problem,” “Eventide Fire a Disaster,” “I’m Not in Love,” “You Have It,” “Love of Jah,” “Under Mi Sensi,” “Tomorrow Is Another Day,” “Robberman,” “Black Roses,” “My Woman,” and “Money Move.”
After beginning his career with Paul “Jah Screw” Love, he embarked on a tour of the United Kingdom in 1984. During this time, he had significant success on the reggae charts with the song “Under Mi Sensi.” This was followed by the crossover smash “Here I Come,” which scored number 41 on the United Kingdom Singles Chart in 1985. He made his comeback to long-playing records with the albums Lifestyle and Money Move, and then he released Here I Come, which became a smash in the United Kingdom. In 1984, Levy was awarded the accolade for Best Vocalist at the British Reggae Awards.
Throughout the late 1980s, Levy, who was now in his twenties, slowed down his recorded production. Despite this, he continued to perform and record regularly, and he performed at Sunsplash on an annual basis from 1987 until 1995. He was signed by Island Records in 1991 for the Divine album, and his fortunes were resurrected by two cover versions of Bob Andy’s songs, “My Time” and “Too Experienced.” Both of these cover versions were produced by Jah Screw.
With the record “Tribal Base” by Rebel MC, which featured Levy and Tenor Fly, he made his comeback to the chart in the United Kingdom in 1991. The single reached number 20. With the Barrington album, which was released in 1993 and was produced by Lee Jaffe, Andre Betts, and Sly & Robbie, Levy attempted to make a name for himself in the United States. However, the album did not provide him with the breakthrough he desired, and his connection with MCA Records did not last long.
Although his voice was sampled and utilized in a large number of underground and published jungle compositions, Levy continued to record periodic singles in Jamaica throughout the remainder of the 1990s. In the United Kingdom, however, his successes were less frequent. On June 20, 1991, he made an appearance on the music program Top of the Pops, which was broadcast on BBC One. He was joined by Rebel MC (Congo Natty) and Tenor Fly. Meanwhile, his song “Here I Come” was sampled by Rebel MC, and the single went on to become a smash in the United Kingdom’s Top 40 chart (“Tribal Base”).
The album White People by Handsome Boy Modeling School, which was a collaboration between Prince Paul and Dan the Automator, had a single that he contributed to in the year 2004. Closer to the Sun, the album that Slightly Stoopid released in 2005, included some of his collaborations with the band. Levy’s most recent contribution was a guest appearance on the track “No Fuss” by Red-1 of the Rascalz, which was taken from the album Beg For Nothing, which was released in 2007.
In September 2013, he announced the release of an acoustic album that would include both new songs and reworkings of classic songs such as “Prison Oval Rock” and “Black Roses.” Additionally, he released the track “Love the Way She Loves,” which was a duet with Mr. Vegas. Acousticalevy, the album he released in 2016, was considered for a Grammy Award nomination in the category of Best Reggae Album.
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