Donald Pleasence Phone Number, Email, Fan Mail, Address, Biography, Agent, Manager, Publicist, Contact Info

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Donald Pleasence Contact Details:

REAL NAME: Donald Pleasence
NICKNAME: Donald Pleasence
DOB: 5 October 1919, Worksop, United Kingdom
BIRTHPLACE: Worksop, United Kingdom
FATHER: Thomas Stanley Pleasence
MOTHER: Alice Armitage
CHILDREN: Angela Pleasence, Jean Pleasence, Miranda Pleasence, Lucy Pleasence, Polly Jo Pleasence

Donald Pleasence Bio

Donald Pleasence, who was balding, soft-spoken, small-framed, and endowed with piercing blue eyes that peered out from behind round, steel-rimmed glasses, possessed all of the physical characteristics essential to succeed as a villain on television. Throughout his extensive acting career, he found great satisfaction in portraying characters who were obsessive, neurotic, or downright malicious. In Halloween (1978), Sam Loomis, a Van Helsing-like doctor, is just minimally better balanced than his prey. Pleasence was a terrific Shakespearean villain because of his energy as a stage actor.

“Poor Bitos,” Harold Pinter’s “The Caretaker,” and Jean Anouilh’s “Poor Bitos” were all roles in which he made his mark on the stage (1960). In the film The Eagle Has Landed, he played Heinrich Himmler, the SS’s leader, convincingly (1976). In Henry VIII and His Six Wives (1972), he played a convincingly evil Thomas Cromwell. In Will Penny (1967), he played a deranged, bloodthirsty preacher named Quint. And in the classic Australian outback thriller, Wake in Fright, he played a sexually twisted, drunken ‘Doc’ Tydon (1971). As Ernst Stavro Blofeld in You Only Live Twice, of course (1967). These are only a few of the many roles that Pleasence was known for, but he was a truly remarkable actor with a wide range of roles.

Donald Pleasence Phone Number

Alice (Armitage) and Thomas Stanley Pleasence gave birth to Donald Henry Pleasence on October 5, 1919, in Worksop, Nottinghamshire, England. His grandpa was a signal worker, and both his brother and father were station masters in the family business. Before becoming station master in Yorkshire, Donald worked as clerk at his father’s railway station in Swinton, North Yorkshire. While there, he sent out letters to theatre companies, and in the spring of 1939, he was hired as an assistant stage manager by one on the island of Jersey. He made his stage debut in “Wuthering Heights” on the eve of World War II. He made his stage debut as Curio in “Twelfth Night” in 1942, but his career was cut short when he was drafted into the Royal Air Force. He was captured by the Germans after being shot down over France.

In 1946, Donald returned to the stage in Peter Brook’s London production of “The Brothers Karamazov” with Alec Guinness, despite missing the opening due to measles, followed by a run on Broadway with Laurence Olivier’s touring company in “Caesar and Cleopatra” and “Anthony and Cleopatra.” It wasn’t long after he returned to England before “Hobson’s Choice” garnered him critical acclaim. In 1952, Donald began his career on the big screen with minor roles in a variety of films. Once he discovered his calling as Prince John in Robin Hood: Prince of Thieves, he became a household name (1955). It would be another few years before he achieved international acclaim for his roles in The Guest (1963) and The Great Escape (1963), in which he played a blind forger with extra conviction as a result of his own World War II experience.

Among Donald’s finest performances, some were reserved for television. Buck Houghton, the director of The Twilight Zone (1959), brought Donald to the United States in 1962 for a cameo appearance on “The Changing of the Guard,” an episode of the third season. He was allowed just five days to immerse himself in the role of Professor Ellis Fowler, a kind schoolteacher who is forced to retire on the eve of Christmas after 51 years of service. When the school bell rings, he is on the verge of taking his own life because he believes he is a failure who has made no impact on the world. His pupils’ departed souls face him there, imploring him to ponder the profound impact his lessons have had on their lives, even leading to heroic deeds.

After hearing this, Fowler has decided to embrace his retirement with grace and equanimity. As a thirty-minute television show, Donald’s performance was intuitive and, if not the most poignant ever, one of the most moving. In Anthony Trollope’s The Barchester Chronicles, he was as lovely as the mild-mannered Reverend Septimus Harding (1982). Donald Pleasence’s performances have never failed to entertain, no matter how strange or wicked they may have been. The Dr. Evil character in Austin Powers: International Man of Mystery (1997) and Austin Powers: The Spy Who Shagged Me (1998) was heavily influenced by his performance as Ernst Stavro Blofeld in You Only Live Twice (1967). (1999). This facial scar is shared by both Blofeld (Michael Pleasence) and Dr. Evil (Mike Myers).

Founder and father of the Pleasence family, including Angela, Jean, Polly Jo, Lucy (1962), and Miranda. One of only a few of actors to appear in both The Great Escape (1963) and its follow-up television series, The Great Escape II: The Untold Story (1988). Even more ironic is the fact that in the first film, where he played an escaped Nazi, he was also a German executioner in the second. Weirdly, he even performed the character of Reichsführer-SS Heinrich Himmler in the film The Eagle Has Landed, in which he played both the SS and Gestapo chief (1976). Heinrich Himmler was the man who gave the order to kill “the 50” POWs in secret. Pleasence is one of just a few actors to have played all three roles: murder conspirator, executioner, and victim (even if he technically wasn’t one of the 50 actors). His character has already passed away.

Due to a scheduling difficulty, he was unable to take on the role of Blair in 1982’s The Thing. Because of this, Wilford Brimley was cast in the role. When asked by Moustapha Akkad how many more films he planned to create after Halloween (1978), Donald Pleasence said, “I stop at twenty-two!” She had five daughters from her four marriages. With Miriam Raymond, he had two daughters; with Josephine Crombie he had two daughters; and with Meira Shore he had a daughter named Miranda.

When he died in 1995, he was slated to star in a production of “King Lear” that would have included his three daughters, Angela, Polly, and Miranda Pleasence. His father worked as a station manager.

During World War II, he was a conscientious objector who eventually changed his mind and joined the Royal Air Force of the United Kingdom. When his plane was shot down, he was taken prisoner of war by the Nazis until 1945, when he was released.

The event took place at Stalag Luft I, a military prison located near the Baltic Sea. During his time as a prisoner of war in World War II, he formed a theatrical troupe to keep himself entertained. For example, he appeared in “The Petrified Forest” alongside a 6′ 1″ Canadian actress who played Bette Davis in the role of Leslie Howard.

In The Great Escape (1963), one of the stars was a genuine World War II POW (Hannes Messemer, who played Colonel Lugo the camp commander, was a German soldier in World War II and was captured by American troops and held in a POW camp until the end of the war). In addition, he spent time as a prisoner of war in Russia. The compassionate director John Sturges urged him to keep his “opinions” to himself when he provided them to him. Sturges solicited Pleasance’s technical expertise and opinion on historical authenticity when another celebrity from the picture informed him that Pleasence had served as an RAF officer in a World War II German POW camp.

His four Tony Award nominations as Best Actor (Dramatic) were for “The Caretaker” (1962), “Poor Bitos” (1965), “The Man In The Glass Booth” (1969) and, most recently, “Wise Child” (1972). He did not win.

In the Royal Air Force, he worked as a wireless operator on Lancaster bombers with the 166th Squadron.

His family and friends used to tease him that, prior to the release of Halloween (1978), he had only ever been cast in roles as evil characters or psychopaths, and that he had never had the opportunity to play a good guy or hero. The difficulty was the exact opposite of what he had before Halloween: no one wanted to see him play bad villains following his performance as heroic, Van Helsing-like Dr. Sam Loomis in Halloween.

On September 9, 1944, he was flying a Lancaster NE112 “AS-M” when it was shot down. Is the great-uncle of Carrie Anderson. At the mental hospital where she works, Jean is an occupational therapist. He excelled in school plays and received numerous accolades for his efforts.

Lifeforce’s Dr. Hans Fallada and Sir Percy Heseltine might be played by one of these performers (1985). The roles of Frank Finlay and Aubrey Morris were both secured.

As a Doctor Who (1963) cast member, he was nominated for numerous guest parts ranging from General Grugger to Richard Mace to Shockeye to De Flores to Shockeye to Shockeye to Shockeye to De Flores. Prior to the filming of Doctor Who: The Movie (1996), he was considered for the role of Borusa.

Together with co-star Telly Savalas and Max von Sydow from The Greatest Story Ever Told (1965), he starred in three Bond films as the villain Ernst Stavro Blofeld: You Only Live Twice (1967), On Her Majesty’s Secret Service (1969), and Never Say Never Again (1980). (1983).

This year’s Queen’s New Year Honours List included an OBE (Officer of the British Empire) for his contributions to the arts.

Was noted for his attention to detail and accuracy, especially in respect to his costume design. When he arrived in Sydney to film Wake in Fright (1971) with a bushranger-inspired beard, he refused to wear the costume that had been allocated to him and instead went to a Vinnies secondhand shop to buy his own clothes.

He was a radio operator in the RAF during World War II before he was shot down over Germany and imprisoned as a prisoner of war.

‘The Caretaker,’ Harold Pinter’s play about a caretaker, was one of his greatest successes on stage, and he was nominated for a New York Critics Award for his performance on Broadway. After being rejected by more than 40 repertory companies, one in Jersey finally agreed to let him audition.

Before getting approved by Bristol Old Vic, a long and arduous ascent with other companies was required. With the exception of a tiny sample from an interview he gave while filming “Halloween 5: The Revenge of Michael Myers,” there is virtually no interview video of the actor available online. The actor, when asked why he maintained doing horror films, said, “Because I have six daughters to support.”.

A new production of Harold Pinter’s “The Caretaker” was staged in 1991, starring Donald Pleasence. Peter Vaughan was one of his closest pals in the acting world. In addition to the United States and Great Britain, Donald Pleasence filmed in other countries. In addition to the Middle East, Australia and Italy were among the countries that participated in the event. As one of his daughters has claimed, the actor struggled with alcohol for a long period of time. Then in the early 1980s, he finally decided to give up smoking.

In spite of this, he preferred to continue working as an actor. In 1967, he was cast in the lead role of Robert Shaw’s play “The Man in the Glass Booth” in the original theatre production. He has appeared in one film that has been deemed “culturally, historically or aesthetically significant” by the Library of Congress: Halloween (1978). ‘The Man in the Glass Booth’ earned him both the London Critics Award and the British Variety Award for Best Stage Actor. Angela was born in 1941, Jean in 1951, Lucy in 1960, Polly in 1962, and Miranda in 1970. They have five children between them.

He agreed to portray Toulon the Puppet Master in three follow-ups to The Puppet Master before he died in 1995, and they were to be shot back-to-back in Romania over the course of around ten weeks. A performance of King Lear staged by Harold Pinter would have featured his three actresses, Angela Polly Miranda, as Lear’s three daughters. Aside from my day job, I’m a full-time professional actress. I understand what I’m supposed to do. Read the script. If I decide to go through with it, I’ll practise the lines. Acting is something I know nothing about. The lack of a Method is a source of frustration for me. I don’t think about it. Everything I do in a movie is taken very seriously by me.

The Freakmaker was a sort of horror film that I made (1974). I believe I was motivated exclusively by financial gain. Because I have six girls, I need to be able to stay working and pay the bills so that I don’t run out of money. However, I had the pleasure of working with Tom Baker. I thought he was a charming and intelligent young man, and I was glad to have met him. I had a great experience working on that film; everyone was pleasant, which is important when you’re a team. That film, on the other hand, would not rank high on my list of proudest achievements.

[on October 31st, 1978] I couldn’t accept several of the script’s elements. I believe that people are behaving in a way that they would never do in real life. The problem is that if you’re one of those folks, you’re going to be seen as an idiot.

“[in THX 1138 (1971)]” It was a fun project to work on. Even then, I had a sneaking suspicion that George Lucas would go on to do great things. At a young age, he had a thorough understanding of the industry.

An interview conducted in 1989 stated that It’s become a big deal if I don’t do a horror film anymore. The fact that I’m probably hopelessly typecast doesn’t concern me much at this point in my career. I’m a hard worker, and horror flicks keep me busy.

in reference to The Great Escape, a 1963 film Seeing the film brought back memories of my service in the RAF and in a German POW camp, which made it all the more poignant. I was overjoyed to have such a memorable role. During production, Steve McQueen was a bit of a pain, bringing in three different screenwriters to ensure that his character reflected his preferences. With a history in the theatre, my concerns about the production of this big-budget film were many, but I kept my voice shut and ended up being really pleased with the result.

The best filmmaker I’ve ever worked with is John Carpenter. His boldness in casting me in his films is a big part of the reason. If I had remained a conventional crazy, he would have missed out on casting me as the president in Escape from New York (1981) and as Dr. Loomis in the original Halloween (1978). The casting against type in Prince of Darkness (1987) was one of the things that drew me to the film in the first place. A lot of people were anticipating me to be horrible, but I ended up being the best thing that ever happened.

In my opinion, horror movies are not my cup of tea. They pique my interest but if there were three types of movies playing at my local cinema, the horror picture would not be one of them. Mostly because people ask me to, I do a lot of horror films. I have to make money all the time, after all.

When I was looking for a job, I put on a toupee for a while because I felt it would help. In the end, I threw it away and said, “They’ll have to accept me as I am.”

In a 1988 interview, he said: I firmly refute the stereotype that I’m always the wild, jumbled-up person. I enjoy playing the big baddies, such as Blofeld in You Only Live Twice (1967), since they seem to be the ones that stick out in people’s minds the most. When I first started out, I was the bad guy pursuing the weird, messed-up folks. I’m no longer the raving lunatic you remember me as. When it comes down to it, I prefer to be the one leading the chase. As long as the insane killer is my sole option, I’m not sure what I’ll do to myself.

Horrifying movies appeal to everyone, including children. Because they don’t want to sit at home and watch game shows with their parents, teens find films like this particularly appealing. To get them to leave their homes and get to the movies, you need to show them something that is both frightening and amusing at the same time.

Donald Pleasence
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