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Henry Fonda Contact Details:
REAL NAME: Henry Fonda
NICKNAME: Henry Fonda
DOB: 16 May 1905, Grand Island, Nebraska, United States
BIRTHPLACE: Grand Island, Nebraska, United States
BIRTH SIGN: Taurus
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: Shirlee Mae Adams (m. 1965–1982)
CHILDREN: Jane Fonda, Peter Fonda, Amy Fishman
INSTAGRAM HANDLE: https://www.instagram.com/henryfonda_/?hl=en
TWITTER HANDLE: https://twitter.com/iamfonda?lang=en
FACEBOOK HANDLE: https://www.facebook.com/henry.fonda1
Henry Fonda Bio
Henry Fonda, who was born in Grand Island, Nebraska, began his acting career with the Omaha Community Playhouse, a small amateur theatre group headed by Dorothy Brando, where he made his stage debut. The Cape Cod University Players and, later, Broadway, New York, provided him with opportunities to further his theatrical career from 1926 through 1934. His first significant appearances on Broadway were in “New Faces of America” and “The Farmer Takes a Wife,” both of which were critically acclaimed. The later drama was adapted for the screen in 1935 and served as the launching pad for Fonda’s long and illustrious Hollywood career. The following year, he married Frances Seymour Fonda, with whom he had two children: Jane Fonda and Peter Fonda, both of whom went on to be successful movie stars themselves.
He is best known for his performances as Abe Lincoln in Young Mr. Lincoln (1939), Tom Joad in The Grapes of Wrath (1940), for which he was nominated for an Academy Award, and Norman Thayer in On Golden Pond (1981), for which he was nominated for an Academy Award and won the award for Best Actor in 1982. Henry Fonda is regarded as one of Hollywood’s old-time icons, and he was a friend and contemporary of James Stewart, John Ford, and Joshua Logan, among other actors and directors. The final chapter in his nearly 50-year film career is his noteworthy presence in both American theatre and television, which he began in the early 1960s.
This amazing, soft-spoken American made his film debut as a self-conscious adolescent. With the passage of time, he developed into a well-known character actor who embodied not only integrity and strength, but also the ideal of the average man fighting against social injustice and oppression in his films. In addition to being a professional printer and the owner of the W. B. Fonda Printing Company in Omaha, Nebraska, Henry’s father, William Brace Fonda, also worked as a painter and sculptor. His distant ancestors were Italians who had abandoned their homeland and settled in Holland, most likely as a result of political or religious persecution in their home country. When they crossed the Atlantic in the mid-1600s, they established themselves in upstate New York, where they established a hamlet that bore the name Fonda.
When he was growing up, Henry had an early interest in journalism after seeing an article about him published in a local paper. He began working in his father’s printing firm when he was twelve years old for $2 a week. As soon as he completed his high school education in 1923, he obtained a part-time position with the Northwestern Bell Telephone Company in Minneapolis, which allowed him to first pursue journalism studies at the University of Minnesota. As it grew increasingly difficult for him to balance his working hours with his academic obligations, he acquired a second job as a physical education instructor for $30 per week, which included room and board. By this point, he had grown to a height of six feet one inches and was a natural basketball player in every way.
The following year, after returning home to Omaha, Henry evaluated his alternatives and concluded that journalism was not his strong suit after all. For a short period of time, he worked as a mechanic and a window dresser, among other temporary positions, to supplement his income. When an offer from Gregory Foley, the director of the Omaha Playhouse, to play the title character in “Merton of the Movies” came along, Henry took it despite opposition from his parents. For a month, he was unable to communicate with his father. The play, as well as its performer, garnered favourable reviews in the community press. Afterward, Henry noticed that “the idea of pretending to be Merton rather than myself showed me that I could hide behind a mask.” For the remainder of the repertory season, Henry was promoted to assistant director, which gave him the opportunity to design and paint sets in addition to acting. A chance journey to New York, on the other hand, had already piqued his interest, and he had set his sights on Broadway.
In 1928, he moved to the east coast and briefly worked in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates that included future luminaries such as James Stewart (who would go on to become his closest lifelong friend), Joshua Logan, and Kent Smith. Soon after, Henry began starring in films alongside Margaret Sullavan, who would go on to become the first of his five wives. Four years later, both the marriage and the players were no longer together. Jimmy Stewart and Joshua Logan moved into a two-room New York apartment with Henry in 1932, and the three of them became friends. For the next two years, he alternated between scenic design and acting in repertory productions. In 1934, he was given the opportunity to do a comic piece with Imogene Coca in the Broadway revue New Faces, which served as a sort of comedic reprieve for him. That same year, he also hired Leland Hayward to serve as his personal management agent, a decision that would prove fruitful in the long run.
In spite of Henry’s initial reservations and reluctance, it was Hayward who encouraged the 29-year-old to pursue a career as an actor in the motion film industry. The Farmer Takes a Wife, a film produced by independent producer Walter Wanger, whose burgeoning stock firm was born at United Artists, required a leading lady (1935). Because both first choice actors Gary Cooper and Joel McCrea were already booked, Henry was the only other actor who could be cast. After all, he had recently returned from a successful run on Broadway in the stage adaptation of the play. However, despite the ridiculous promotional tagline for the film, “you’ll be fonder of Fonda,” the film was an unquestionable success.
When Wanger realised he had a good thing going, he began casting Henry in a series of A-grade films that relied on his image as the sincere, unspoiled country boy. Highlights from his early career included the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (in which Henry played a good guy who is forced to become a fugitive from the law by circumstance), the screwball comedy The Moon’s Our Home (1936) (in which he starred with his ex-wife Sullavan), the excellent pre-Civil War-era romantic drama Jezebel (1938), Besides The Grapes of Wrath (1940), Henry worked with director John Ford on two more films: the pioneering drama Drums Along the Mohawk (1939) and the classic western The Grapes of Wrath (1940), in which Henry played Tom Joad, who is widely regarded as the archetypal grassroots American trying to stand up against oppression. It also established the tone for the rest of his professional life.
He was equally at home as a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of ultimate justice in (12 Angry Men (1957)), or a nightclub singer wrongfully convicted of murder (The Wrong Man (1956). He also performed admirably (if historically inaccurately) in the title role of The Return of Frank James (1940), a rare example of a sequel that outperforms the original in both quality and quantity.
Aside from a couple of memorable outings opposite Barbara Stanwyck — with whom he shared a wonderful on-screen chemistry — in films such as The Mad Miss Manton (1938) and The Lady Eve (also 1938), Henry rarely appeared in comedic roles (1941). In the western comedy A Big Hand for the Little Lady, he was also a good value as a poker-playing grifter who robbed a bank (1966). In the end, in order to confound those who would categorise him, he delivered a frightening portrayal as one of the coldest, meanest stone killers ever to wander the American West in Sergio Leone’s iconic film Once Upon a Time in the West (1968). During the 1970s, he was unable to work due to illness. The part of an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane, was his final on-screen appearance. Following a previous Honorary Academy Award, it was the final step in earning him an Oscar.
He was unable to attend the event due to illness, and he passed away shortly after at the age of 77, having left a lasting legacy that was unparalleled among his colleagues. Approximately 1400, his distant ancestors emigrated from Genoa, Italy, and settled in the Dutch Republic. A little town in upstate New York known as Fonda was founded by early Dutch immigrants and is still prospering today. The town was named after founder Douw Fonda, who was subsequently killed by Indians, and it is the oldest continuously operating municipality in the United States. He also had ancestors who were of English, Scottish, and, to a lesser extent, Norwegian descent. In the 1800s, his paternal grandfather relocated to the state of Nebraska.
Fonda was the oldest actor to ever win an Academy Award for his performance in On Golden Pond when he got the honour for his role in the film. Anthony Hopkins, who got the Academy Award for his performance in The Father at the age of 83, has since surpassed him in this regard (2020).
Throughout his career, he returned to the actual stage on a few occasions (Mister Roberts, Critic’s Choice, and First Monday in October), but he missed out on the opportunity to play George in the original Broadway production of Who’s Afraid of Virginia Woolf? After reading the script, his agent rejected it out of hand, without consulting him. According to the agency, the rationale for this was because “you don’t want to be in a play where four people are always yelling at each other.” Fonda, a long-time admirer of playwright Edward Albee’s abilities, was enraged by the situation. Even the fact that old friends such as James Stewart and his wife Gloria Stewart, or even his own daughter Jane, told him that they had seen the play in New York and couldn’t imagine anybody else in the lead role didn’t help the situation. Following his own personal viewing of the production, Fonda was blown away by Arthur Hill’s portrayal of the title character, and he stated that no one could have done the part better himself.
Was well-known in Hollywood as a ladies’ man, having had affairs with a number of actresses during his career. Despite his gentle, courageous, and honest movie character, he was commonly regarded as being cold, aloof, and frequently angry when he was not on the set. When director John Ford sucker-punched him while filming Mister Roberts, it brought an end to a friendship and collaboration that had lasted nearly two decades (1955).
The Fonda family was familiar with Marlon Brando’s family due to the fact that they both lived in Omaha, Nebraska, and Henry had participated in community theatre with Marlon’s mother, Dorothy, before. In reality, the Brando family paid a visit to Henry on a film set in Southern California during a tour to the area in the late 1930s. Because Fonda was much older than the other actor, the two performers never got to know each other on a social level. As a matter of fact, when the then-teenage Brando began his acting career, he did so in the shadow of Fonda, who at the time was the most famous person to have come out of Omaha.
After learning that his housekeeper was letting people to come into his home to look around the digs of a celebrity for a price, Brando was forced to terminate her employment. Soon after, Henry called him to ask him to check on the credentials of a woman who had applied for the position of housekeeper at his place of residence. It was the same woman who had been fired by Brando. The former acting protégé of his mother, whom he eagerly suggested, was unaware that she was on an unauthorised tour at the time of the recommendation.
James Stewart’s roommate on two separate occasions, as well as a very close friend. They met and shared a room in the early 1930s when they were both struggling young actors in New York City. Fonda arrived in Hollywood just a few months before Stewart. When Stewart first came, he and Fonda shared a residence, where they quickly established themselves as ladies’ men. They continued to hang out even after getting married and having children, mainly spending their time creating model aeroplanes.
A poll conducted by Entertainment Weekly ranked him as the 29th greatest movie star of all time. According to his son Peter Fonda’s memoirs Don’t Tell Dad: A Memoir, though Fonda was a Democrat for the majority of his life, he was once a registered Republican, according to his father (1999). Peter believes that Henry’s liberal views led to his being gray-listed during the early 1950s, when he was forced to take a six-year hiatus from the film industry.
Hayley Mills and her husband, John Mills, are the other couple. Hayley’s honorary Academy Award in 1960 was handed to her for her performance in Pollyanna, which was the greatest juvenile performance of the year (1960). After moving to Los Angeles with her family to work on Walt Disney pictures, her father John became well-known among the people who worked in the entertainment industry. In 1971, he was nominated for an Academy Award for his performance as the village idiot in David Lean’s film Ryan’s Daughter (1970).
The Father’s Day/Day Mother’s Council, Inc. named him “Father of the Year” in 1963, and he accepted the honour. His portrayal of Tom Joad in The Grapes of Wrath (1940) is voted #51 on Premiere Magazine’s list of the 100 Greatest Performances of All Time (see below) (2006).
Fonda, who played the second Commander in Chief-Pacific (CINCPAC II) in the 1965 film In Harm’s Way, was actually a World War II naval veteran who served in the Pacific Theater throughout the war. Fonda enrolled in the Navy to fight in World Battle II after completing the film The Ox-Bow Incident (1942), stating, “I don’t want to be in a pretend war in a studio.” Fonda died in a plane crash in 2003. As a Quartermaster 3rd Class on the destroyer USS Satterlee, Fonda served in the Navy for three years before being promoted to Lieutenant Junior Grade (O-2) in Air Combat Intelligence. Fonda retired from the Navy in 1989. With the Bronze Star, which is the fourth-highest award for valour or outstanding service in a fight with the enemy, he was recognised for his actions in the Central Pacific during World War II.
The U.S.S. Kitty Hawk, where he spent the night before filming Yours, Mine, and Ours, was his destination on April 12, 1967, in preparation for his role in the film (1968).
Three of his films are included in the American Film Institute’s list of the 100 Most Inspiring Films of All Time. It is On Golden Pond (1981), which is ranked #45, 12 Angry Men (1957), which is ranked #42, and The Grapes of Wrath (1940), which is ranked #7.
Co-founded the theatrical production firm Plumstead Playhouse in New York with actors Robert Ryan and Martha Scott in 1968, as part of a partnership with the actors Robert Ryan and Martha Scott. It was later renamed the Plumstead Theatre Society, and it was responsible for co-producing the Broadway production of First Monday in October, which starred Fonda and Jane Alexander. During the filming of Jezebel (1938), in which he co-starred with Bette Davis, he had to take some time off to attend the birth of his daughter Jane Fonda.
Despite the fact that he separated from his first wife Margaret Sullavan after only two months of marriage, the formal divorce proceedings took longer than the time they spent together as husband and wife, with the final divorce decree not being finalised until thirteen months after their separation.
| Henry Fonda|
Address, Phone Number, Email ID, Website
|House address (residence address)||Grand Island, Nebraska, United States|
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