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Kirk Douglas Contact Details:
REAL NAME: Kirk Douglas
NICKNAME: Kirk Douglas
DOB: 9 December 1916, Amsterdam, New York, United States
BIRTHPLACE: Amsterdam, New York, United States
BIRTH SIGN: Taurus
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: NA
INSTAGRAM HANDLE: https://www.instagram.com/michaelkirkdouglas/?hl=en
TWITTER HANDLE: https://twitter.com/kirklloyd
FACEBOOK HANDLE: https://www.facebook.com/profile.php?id=100063776887480
Kirk Douglas Bio
He was born Issur Danielovitch Demsky and grew up in the ghettos of New York City before rising to fame as an actor, producer, and director. His parents were impoverished Jewish immigrants from Chavusy, which is now part of the Republic of Belarus. Kirk was an exceptionally motivated student and athlete. A passion for performing developed in him at a young age, and he knew early on that obtaining a scholarship for acting would be the key to escaping his impoverished and awful circumstances. He has the ability to be accepted into the prestigious ‘American Academy of Dramatic Arts,’ which opened the way to fame and fortune.
“Kirk Douglas” was his given name; he was born Issur Danielovitch on December 9, 1916, in New York City, and died on February 5, 2020, in Los Angeles, California. He was an American cinema actor and producer who was best known for his performances of determined, emotionally charged heroes and antiheroes.
Kirk Douglas was born Issur Danielovitch, the son of Russian Jewish immigrants, and went by the stage name Izzy Demsky before becoming known as Kirk Douglas on the big screen. Between 1939 and 1941, he worked as a professional wrestler while attending St. Lawrence University in Canton, New York, where he received his B.A. and the American Academy of Dramatic Art in New York City, where he received his M.F.A. in drama in 1941. Before and shortly after his service in the United States Navy (1943–44), he appeared in primarily modest roles on Broadway before being enticed to the film industry.
Following his debut film, The Strange Love of Martha Ivers (1946), in which he co-starred with Barbara Stanwyck, Douglas went on to appear in a number of famous films, including Out of the Past (1947), Mourning Becomes Electra (1947), and I Walk Alone (1947), in which he played a supporting role (1948). With his Oscar-nominated performance as a brutal boxer in Champion, he established himself as a star (1949).
The character of Douglas was established in this film as one who is brash, intense, and self-absorbed on the big screen. Affluent and charismatic on-screen persona made him a favorite among audiences, even in roles in which he played individuals who had an abundance of tragic defects to overcome. “I’ve built a career out of playing sons of b*tches,” he once admitted about himself. As a muscular and athletic guy, Douglas was known for his distinctive, much-imitated voice and a deeply cleft chin.
He collaborated with several well-known filmmakers on some of the most critically acclaimed films of the 1950s. In films such as Michael Curtiz’s Young Man with a Horn (1950), a self-destructive jazz musician loosely based on cornetist Bix Beiderbecke; Billy Wilder’s Ace in the Hole (1951, also known as The Big Carnival); Raoul Walsh’s Along the Great Divide (1951); and William Wyler’s Detective Story (1953), he portrayed a volatile and vengeful cop (1951). His role as a corrupt motion picture producer in Vincente Minnelli’s The Bad and the Beautiful (1952) won him his second Academy Award nomination for Best Actor. His passionate portrayal of tormented genius Vincent van Gogh in Minnelli’s Lust for Life (1956) won him yet another Academy Award nomination, making it one of Douglas’ most memorable performances as well as one of his most unique.
In the following decade, Douglas appeared in such iconic films as Stanley Kubrick’s Paths of Glory (1957) and Spartacus (1960), Gunfight at the O.K. Corral (1957), The Devil’s Disciple (1959), Seven Days in May (1962), Seven Days in May (1964), and In Harm’s Way (1965). (1965). Following that, the quality of Douglas’s films began to deteriorate, despite the fact that he continued to be extremely productive, releasing at least one feature per year until the late 1980s. The Brotherhood (1968), There Was a Crooked Man (1970), The Fury (1978), The Man from Snowy River (1982), and Tough Guys (1986), Douglas’s seventh and final picture with his longtime friend Burt Lancaster, are among the better films from his later career. As a director, Douglas was responsible for two films: the ill-conceived pirate comedy Scalawag (1973) and the sarcastic western adventure Posse (1975), which quickly became a cult classic.
Doug Douglas, in addition to his acting career, has written a number of books, including the best-selling novels Dance with the Devil (written in 1990) and The Gift (written in 1992), as well as the nonfiction work I Am Spartacus! : Making a Film, Breaking the Blacklist (written in 1992). (2012). His well-received memoirs include The Ragman’s Son (1989), My Stroke of Luck (2002), and Let’s Face It: 90 Years of Living, Loving, and Learning (2007), all of which were published after his death (2007). In 1991, Douglas won the American Film Institute’s Life Achievement Award, and in 1996, he was awarded an honorary Academy Award for his contributions to film. Michael Douglas, his eldest son, was a well-known actor and producer in his own right.
A middle-aged rancher named Jack Burns (portrayed by Douglas) who is at ease on the plains of New Mexico but finds it extremely difficult to integrate into metropolitan society is the central character of the film. He despises contemporary conveniences, prefers to travel by horseback, and engages in little acts of civil disobedience to annoy the authorities. When Burns’s friend Paul Bondi (Michael Kane) gets caught for smuggling illegal immigrants across the border, he breaches the law and is imprisoned himself as part of his scheme to assist Bondi in escaping prison.
When Bondi decides that he would prefer to complete his sentence, Burns escapes on his own and becomes a fugitive from law enforcement. He refuses to surrender despite repeated pleadings from the sympathetic local sheriff (Walter Matthau), and a manhunt follows. Firefighter Robert Burns manages to outwit his pursuers against overwhelming odds, taking advantage of his knowledge with the difficult terrain. His search for freedom, however, comes to a tragic end when he and his horse are struck and killed by a truck while crossing a highway.
The Brave Cowboy, a novel by Edward Abbey, served as the basis for the film (1958). The screenplay was written by Dalton Trumbo, who had previously authored the screenplay for Spartacus (1960), which also featured Douglas and was directed by John Landis. Among the film’s many highlights were the performances of Douglas, Matthau, and Gena Rowlands, who played Bondi’s wife, in which they were all outstanding. Though critically acclaimed, the picture was a financial failure at the box office, probably as a result of its depressing theme.
In the film, Einar (played by Kirk Douglas) and Eric (Tony Curtis) are two Viking half brothers who are unaware that they are connected. The film was shot mostly on location in Norway and Brittany, France, and follows the lives of Einar (played by Kirk Douglas) and Eric (Tony Curtis). Ragnar Lothbrok is their father, and he is a legendary Viking leader (Ernest Borgnine). A quarrel between Einar and Eric, who Einar considers to be little more than a former slave, dominates the film’s first half.
All three brothers are competing for the affections of the stunningly beautiful Welsh princess Morgana (Janet Leigh), who has been promised in marriage to the Northumbrian king Aella. Eric and Einar momentarily put aside their personal animosity in order to launch a coordinated onslaught against the evil Aella. The inevitable sword struggle for the princess, however, draws the film to a finale, with Einar, who has heard of Eric’s kindred, hesitating when given the opportunity to murder his half brother. Because of this, Eric had the option to kill Einar instead, which he does without realising that they were related.
A number of action sequences stand out in the film, and the brothers’ climactic attack on the castle of Aella is a particularly exciting sequence to see. The film inspired a television series, Tales of the Vikings (1959–60), which was helmed by Elmo Williams, the film’s renowned editor, who had previously received an Academy Award for his work on the classic picture High Noon (1952).
Light projects a series of still photos on film, known as a motion picture or movie, onto a screen in quick succession, which is referred to as a film. A phenomenon known as persistence of vision is responsible for this illusion of real, smooth, and continuous movement.
Film is a remarkable medium for transmitting drama and, more importantly, for evoking emotional responses in the audience. The art of motion pictures is extremely complicated, needing contributions from practically all other disciplines, as well as a wide range of technical abilities and capabilities (for example, in sound recording, photography, and optics). This new art form, which first appeared at the end of the nineteenth century, quickly rose to become one of the most popular and influential media of the twentieth century and beyond. Film was rapidly recognised as arguably the first really mass form of entertainment when it was initially introduced as a commercial venture in which fictional storylines were presented to big audiences in theatres. In addition to maintaining its broad popularity, the medium has evolved as a vehicle for artistic expression in areas such as acting and directing as well as screenwriting, cinematography, costume design and set design, and music.
Throughout its brief history, the art of motion pictures has undergone numerous transformations that appeared to be essential, such as those brought about by the introduction of sound film. A variety of styles and formats are available today, including documentaries shot with a handheld camera by a single individual, and multimillion-dollar epics involving hundreds of performers and technical crew members. It is also available in a variety of formats and styles that vary significantly from country to country.
There are a lot of factors that spring to mind quickly when thinking about the cinematic experience. For starters, there is something moderately mesmerising about the appearance of movement that keeps the audience’s attention and may even lower their crucial resistance levels. Because it is created by a nonhuman, scientific process, the veracity of the cinema picture is riveting to witness. The motion picture also conveys what has been described as a strong sense of being present; the cinema image appears to be always in the present tense when seen. There is also the tangible aspect of film, in that it looks to depict real people and real things on the screen.
Born Issur Danielovitch to Russian Jewish immigrants, Kirk Douglas went under the stage name of Izzy Demsky before making his reputation on the big screen as Kirk Douglas. After graduating from St. Lawrence University in New York in 1939, he worked as a professional wrestler from 1939 to 1941, while attending the American Academy of Dramatic Art in New York City, where he obtained his M.F.A. in theatre in 1941, to fund his college education. To get into movies, he did a lot of little roles on Broadway before and right after his military duty in the U.S. Navy (1943–44). Douglas appeared in a number of notable films, including Out of the Past (1947), Mourning Becomes Electra (1947), and I Walk Alone (1947), in which he played a supporting part, after his debut picture, The Strange Love of Martha Ivers (1946), in which he co-starred with Barbara Stanwyck (1948). He established himself as a star with his Oscar-nominated performance as a vicious boxer in Champion (1949).
On the big screen, Douglas was established as a brazen, passionate, and egocentric figure in this film. Even in parts where he had to overcome many terrible flaws, his affluent and captivating on-screen character made him a fan favourite. He once stated to himself, “I’ve built a career out of playing sons of b*tches.” In addition to his unusual voice and deep chin cleft, Douglas was recognised for being a muscular and athletic guy. Some of the most highly praised films of the 1950s were the result of his collaborations with some of the most well-known directors of the era.
It was in films like Michael Curtiz’s Young Man with a Horn (1950) and Billy Wilder’s Ace in the Hole (1951) and Raoul Walsh’s Along the Great Divide (1951) that he played a volatile and spiteful cop partially modelled on cornetist Bix Beiderbecke (1951). Second Academy Award nomination for Best Actor for his portrayal of a corrupt film mogul in Vincente Minnelli’s The Beautiful and the Bad (1952). Douglas’ portrayal of Vincent van Gogh, the brilliant but tormented artist, in Minnelli’s Lust for Life (1956) earned him yet another Academy Award nomination, and it remains one of the actor’s most memorable and unusual performances.
During the following decade, Douglas was seen in some of the most acclaimed films of the day, including Stanley Kubrick’s Paths of Glory and Spartacus, Gunfight at the O.K. Corral, The Devil’s Disciple, and Seven Days in May. (1965). As a result, the quality of Douglas’s films began to diminish, despite the fact that he continued to produce a film every year until the late 1980s. While The Brotherhood (1968) and There Was a Crooked Man (1970) are among the finest films from Douglas’ latter career, there are others, such as The Man from Snowy River (1982) and Tough Guys (1986), in which Douglas starred with his longtime friend Burt Lancaster for the eighth time. Director Douglas was responsible for two films: the ill-conceived pirate comedy Scalawag (1973) and Posse (1975), which rapidly established a cult classic
Also in addition to his acting career is Doug Douglas’s writing career. He has authored several books, including best-selling novels Dance with the Devil and The Gift, along with a nonfiction work, I Am Spartacus!: Making a Film, Breaking the Blacklist (published in 1992). (2012). When he died in 2007, his memoirs were published: Let’s Face It: 90 Years of Living, Loving and Learning (1989), The Ragman’s Son (2002), and Let’s Face It: 90 Years of Living, Loving and Learning (2007). (2007). For his services to the film industry, Douglas received an honorary Academy Award in 1996 as well as the American Film Institute’s Life Achievement Award in 1991. Douglas’ oldest son was a well-known actor and producer in his own right, Michael, who died in 2010.
Actor Douglas plays middle-aged rancher and New Mexico native Jack Burns in the film. He feels at peace on the open plains of New Mexico but struggles to fit in with city life. Because he dislikes modern conveniences, he prefers to go on foot or on horseback and engages in small acts of civil disobedience to irritate the authorities. As a part of his plan to help Paul Bondi (Michael Kane) escape prison, Burns defies the law by bringing illegal immigrants across the border personally. Burns escapes on his own and becomes a wanted man after Bondi decides he doesn’t want to serve the remainder of his sentence. The sheriff (Walter Matthau) tries to talk him into surrendering, but he refuses, and a manhunt ensues. Firefighter Robert Burns manages to outwit his pursuers against overwhelming odds, using his understanding of the challenging terrain to do so.. However, his quest for independence ends tragically when he and his horse are murdered by a truck as they cross a road.
The film is based on Edward Abbey’s novel The Brave Cowboy (1958). Screenwriter Dalton Trumbo, who earlier penned the screenplay for John Landis’ Spartacus (1960), wrote the screenplay for this film, which again stars Douglas. The performances of Douglas, Matthau, and Gena Rowlands, who played Bondi’s wife, were some of the film’s numerous high points, and they were all exceptional. Depressing subject matter may have contributed to the film’s lack of commercial success despite critical acclaim.
Two Viking half-brothers, Einar (Kirk Douglas) and Eric (Tony Curtis), portrayed by Kirk Douglas and Tony Curtis, respectively, are introduced in the film. Mostly shot in Norway and Brittany, France, the film recounts Einar’s (Kirk Douglas) and Eric’s (Jamie Foxx) lives (Tony Curtis). Their paternal grandfather, Ragnar Lothbrok, was a famed Viking warrior and commander (Ernest Borgnine). The first part of the film is dominated by an argument between Einar and Eric, whom Einar regards as nothing more than a former slave. Morgana (Janet Leigh), a lovely Welsh princess, has been promised to the Northumbrian king Aella, and all three brothers are vying for her affections. They set aside their differences for a brief period of time so that they might unite in a concerted attack on Aella. Despite Einar’s reluctance to kill his half-brother, Einar’s sword duel with Eric for the princess brings the film to a dramatic conclusion. As a result, Eric had the option of killing Einar instead, which he did, unaware that the two were related.
|Kirk Douglas Address, Phone Number, Email ID, Website|
|House address (residence address)||Amsterdam, New York, United States|
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