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REAL NAME: Marsha Hunt
NICKNAME: Marsha Hunt
DOB: 17 October 1917
BIRTH SIGN: Libra
FATHER: Not Known
MOTHER: Not Known
SPOUSE /WIFE: Robert Presnell Jr.
This very gifted actress was never able to achieve stardom despite her abilities. It’s impossible to say where Marsha Hunt could be today if she hadn’t had such a low profile during the McCarthy era in the early 1950s.
It’s possible that her work wasn’t dazzling enough or subdued enough, or that her intelligence hid a genuine sex appeal too often for her to stand out amongst the other beautiful women. No matter how many studios Paramount and MGM tried to complete her star, it never happened. But her ability and versatility are evident. Over the course of the decade between the ’30s and ’40s, this stunning and dashing leading lady appeared in over 50 films.
Christened To an attorney father and a singing teacher/accompanist mother in Chicago, Marcia Virginia Hunt was born the younger of two daughters. When she was a little girl, her family moved to New York City, where she went to PS and the Horace Mann School for Girls.
Performing in school and church plays at a young age piqued her interest in acting. Her mother was a talented singer and model, so it was no surprise that the young beauty found work as a John Powers model after graduating high school.
After changing her name to Marsha, Marcia entered the Theodora Irvine Drama School (one of her fellow students was Cornel Wilde). The young, attractive hopeful was persuaded to go to Hollywood in 1934 after receiving encouragement from a number of prominent businessmen in New York. Her older sister accompanied her, despite the fact that she was only 17 years old. In little time at all, she had a contract with Paramount, and the studios began to pay attention to her as well.
It was in the classic The Virginia Judge with Robert Cummings and Johnny Downs that Marsha got her first break in the film industry (1935). Gentle Julia (1936) was her second picture, in which she starred as the title character alongside Tom Brown as her romantic interest. However, Marsha’s roles in “B”-level movies were routinely forgotten, despite her acting ability.
Because Paramount couldn’t find good enough scripts for her roles, she appeared in everything from westerns (Desert Gold (1936) and Thunder Trail (1937)) to folksy comedy (Easy to Take (1936) and Murder Goes to College (1937)).
Born to the West (1937), a role in which cowboys John Wayne and Johnny Mack Brown competed for her attention, ended up being her final film performance as a prairie flower. Jerry Hopper, a Paramount picture editor who went on to become a director in the 1950s, was her husband (1938). Only a few years were spent together in their relationship.
She was a freelancer for several studios until signing with MGM in 1939 for her most renowned war-era work in tender comedies and staunch military dramas.
When she was cast in Greer Garson’s Pride and Prejudice (1940), as one of the sisters, she showed considerably more potential than she had previously shown. For her wartime parts in Cheers for Miss Bishop, Kid Glove Killer, and The Affairs of Martha Stewart, she received high marks (1942). This period saw her perform on long-term USO tours and continue her radio career.
The Human Comedy (1943) may be her best-known film, yet she was not the protagonist. Margaret Sullavan’s Cry ‘Havoc’ (1943), young Margaret O’Brien’s Lost Angel (1943), and Garson again in The Valley of Decision (1944) were some of her supporting parts in later films (1945).
In “A” films, leading parts were few and far between. When her contract with MGM expired in 1945, she married screenwriter Robert Presnell Jr. in 1946 instead.
The marriage lasted exactly 40 years till his death in June 1986, when he was 86 years old. Although she had a catchy but unsympathetic character as a conniving secretary in Susan Hayward’s smash-up smash-up smash-up smash-up Smash up Smash Up Smash Up Smash Up Smash Up Smash Up, her other films were, once again, uninteresting or in support of the star
Assembling a smattering The “raw deal” she received in Raw Deal (1948), starring Dennis O’Keefe, was that she was overshadowed by Claire Trevor’s “bad girl” antics. “Joy to the World” was the first show she ever appeared in on Broadway, making her debut (1948). “The Devil’s Disciple,” starring Maurice Evans, and “The Lady’s Not for Burning,” starring Vincent Price, are two other projects in the works.
It’s “The Little Hut,” with Leon Ames in the lead. The King and I, State Fair, and Meet Me in St. Louis all gave her the opportunity to reprise her cherished singing role of Anna. In addition, she was given the opportunity to play Viola in a TV production of “Twelfth Night,” which she did. In the early ’50s, her cinematic career began to fall apart.
In the late 1930s and early 1940s, she was a member of the Committee for the First Amendment, a group dedicated to protecting the First Amendment rights of free speech and the press. Her name featured in the McCarthy-era journal “Red Channels,” which “exposed” alleged Communists and “subversives.” as a fervent defender of freedom of speech.
However, despite never being summoned to testify in front of House Un-American Activities Committee, she and her husband were branded all over the entertainment industry as “Reds.” While she did occasionally land a role in a film, it was an uncommon occurrence.’ Only three films were created by her over the next eight years after her steady work from 1935 to 1949, when she appeared in more than 50 pictures. His wife’s screenwriter husband would get credit for the film.
In the late 1930s and early 1940s, she signed a number of petitions espousing liberal ideas and served on the Committee for the First Amendment. For her support of free expression, she appeared in the “Red Channels” booklet of the McCarthy era in 1983, and in 1993, she wrote a fashion book named “The Way We Wore,” which documented the fashion of the 1980s and ’90s. Widowed by his passing.
In spite of her lack of appearance before House Un-American Activities Committee, her name was included in the pamphlet Red Channels as a consequence of her involvement in Committee for the First Amendment and liberal petitions she signed. ‘Red Channels’ It became increasingly difficult for her and her husband, Robert Presnell Jr., to obtain work because of the blacklist. Nephew Allan Hunt is a successful director.
In a handful of her flicks, she was a superb singer and actress. Along with Frances Farmer, Olympe Braden, Robert Cummings, Eleanor Whitney and Rosalind Keit she attended Paramount Pictures acting school as an ingénue. In her original Paramount deal, she was given two exceptional advantages.
In contrast to other celebrities, she didn’t have to participate in the customary publicity shots and could do her own make-up. In 1941, she agreed to a deal with Metro-Goldwyn-Mayer. In 1998, she was honored with the Eleanor Roosevelt Humanitarian Award in recognition of her many selfless deeds. She appeared with Johnny Carson in “Tunnel of Love,” a Broadway theater musical (1958)
. As a result of a previous stage obligation, she had to withdraw out of the role of James Dean’s overwrought mother in Rebel Without a Cause (1955). Ann Doran has taken over as the new CEO. A day after her daughter was born prematurely on July 1, 1947, she died. They later adopted children as foster parents, together with her new spouse. Glenda Farrell’s cousin Jerry Hopper was her first husband. She taught Sunday School at St. Paul’s Methodist Church in New York before beginning her professional career.
She had changed her initial name to “Marsha” by the time she entered the film industry. Due to Olivia de Havilland’s financial difficulties, the studio’s first choice for Melanie Hamilton in Gone with the Wind (1939) was Marsha rather than Olivia de Havilland. Actually, David O. Selznick had intended to use Marsha in the role, but she was replaced the following day when the loan out fell through.
She describes her blacklisting and the horror film Back from the Dead in Tom Weaver’s book “A Sci-Fi Swarm and Horror Horde” (McFarland, 2010). (1957). They include UNICEF, MARCH OF DIMES AND AMERICAN RED CROSS. Both the Hollywood Democratic Committee and Hollywood Anti-Nazi League had her as an active member and she contributed both time and money to many liberal causes (such as the establishment of the United Nations and the civil rights movement) and political candidates (including Franklin D. Roosevelt).
At the Paramount Actors Training School, Robert Hunt’s students were Eleanor Whitney, Eleanor Whitney, Henry Wallace, Adlai Stevenson, and John F. Kennedy. Her star on the Hollywood Walk of Fame was erected at 6658 Hollywood Boulevard in Hollywood, California, on February 8th of that year.
Piper Laurie and Julie Adams have known one other since childhood. Unlike other movie stars, Marsha didn’t have to participate in typical promotional shots because of a provision in her original Paramount contract that allowed her to do her own make-up. The Horace Mann High School for Girls in New York City is where she received her high school diploma (1934). There were 18 persons in total who refused to take part, including her and Dalton Trumbo. At the age of 32, she was put on a no-hire list and has had difficulty finding job since. During her time working at Universal Studios in 1949, she met Julie Adams, Piper Laurie, and Tony Curtis. The United Nations and other organizations were honored to have Hunt as an Ambassador for Peace on her 90th birthday.
As an actress, Hunt made the journey to Hollywood, California, in 1935. The younger sister of two, Hunt, is Hunt. In 2002, Marjorie, her older sister and a teacher, died of cancer at the age of 63. When Hunt was in high school, her parents wanted her to attend college, but she was unable to locate “a single college or university in the land where you could major in acting before your third year,” as she stated.
The John Powers Agency hired her as a model, and she enrolled in acting training at the Theodora Irvine Studio for the Theatre in New York City. For the 40th anniversary of the song she penned about love and same-sex marriage, she released a video in 2013. Bill A. Jones, star of Glee (2009), sang the song in the video, which instantly went viral.
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