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REAL NAME: Natalie Wood
NICKNAME: Natalie Wood
DOB: 20 July 1938, San Francisco, California, United States
BIRTHPLACE: San Francisco, California, United States
BIRTH SIGN: Cancer
FATHER: Maria Zakharenko
MOTHER: Nicholas Zakharenko
SPOUSE / HUSBAND: NA
CHILDREN: Natasha Gregson Wagner, Courtney Brooke Wagner
INSTAGRAM HANDLE: https://www.instagram.com/nataliewood/?hl=en
TWITTER HANDLE: https://twitter.com/nataliewood?lang=en
FACEBOOK HANDLE: https://www.facebook.com/public/Natalie-Wood
She was born on July 20, 1938, in San Francisco, California, and died on November 29, 1981, off the coast of Santa Catalina Island, California, with the original name Natalia Nikolaevna Zackharenko, Zackharenko also spelled Zakharenko. She was an American film actress who rose to prominence as a child star before establishing a successful film career as an adult. Her ingenue performances, which capitalised on her young attractiveness, were her most well-known work.
Zackharenko’s parents were Russian immigrants who came to the United States as children. The actress began starring in films when she was just five years old, and her first role was as Natalie Wood in the drama Tomorrow Is Forever (1946). At the age of eight, she received critical acclaim for her performance as a precocious Santa Claus sceptic in Miracle on 34th Street (1947), in which she appeared as a little girl. Wood began her career as a dark-haired beauty in her adolescence, and her first major performance was in Rebel Without a Cause (1955), for which she was nominated for an Academy Award for her portrayal of a troubled young woman. She married actor Robert Wagner in 1957 (they divorced in 1962 and remarried in 1972), and the following year she co-starred in the film Marjorie Morningstar with Gene Kelly. Wood’s appearances in two high-profile films in 1961 sealed her image as one of Hollywood’s most likeable and sought-after stars, and she continued to do so in subsequent years.
In Splendor in the Grass, she played a young woman from a small town who is distressed over a romantic relationship; she was nominated for an Academy Award for the portrayal. After that, she starred as Maria in the critically acclaimed film adaptation of the Broadway musical West Side Story. Following a role in another musical film, Gypsy (1962), Wood went on to star in the modern romances Love with the Proper Stranger (1963), for which she received a third Academy Award nomination, and Sex and the Single Girl (1964), in which she played writer Helen Gurley Brown. Wood died in 1992 at the age of 91. She was forced to step away from the spotlight after a string of box-office flops, including the show-business drama Inside Daisy Clover (1965), and she remained away for three years.
Wood had a successful comeback with the famous sex comedy Bob & Carol & Ted & Alice (1969), but she continued to act only rarely after that, with her most notable appearances coming in the television movies Cat on a Hot Tin Roof (1976) and From Here to Eternity (1979). She was nominated for a Golden Globe Award for the latter role.
A yacht off the coast of Santa Catalina Island, California, where Wood was vacationing with Wagner and actor Christopher Walken, was lost at sea when Wood killed under unknown circumstances in 1981. She had been classified as having died in an accident for many years before it was officially changed to “undetermined” in 2012 following a new investigation into the case. In 2018, the cause of her death was further reclassified as a “suspicious death” after an additional investigation into the case.
Wagner was interviewed for the television programme Natalie Wood: What Remains Behind (2020), in which he categorically denied any participation in Wood’s death. Carol and Bob were portrayed by Natalie Wood and Robert Culp as a snobbish, rich, and bored couple living in southern California. After attending an enlightened New Age-type retreat, they decide to partake in the sexual experimentation associated with the free-love era—specifically, swinging and wife swapping—to further their sexual development.
Carol and Bob discuss their new perspective with Ted and Alice, two of their best friends who are also possible exchange partners but are more reserved (played by Elliott Gould and Dyan Cannon). Due to Bob and Carol’s strong candour about their extramarital encounters, Ted is forced to confess to having had a relationship outside of marriage. Alice becomes enraged and ultimately proposes what everyone has been thinking all along: that the two spouses join each other in bed together.
Despite the fact that it is regarded antiquated by modern standards, the picture was considered spicy at the time of its release, and it acts as a time capsule of sexual mores of the late 1960s. In addition to inspiring a spate of subsequent films dealing with similar issues, it also spawned a short-lived television series about the same subject matter. As a result of the film, Gould and Cannon were rocketed to prominence and received Academy Award nominations for their respective performances.
An award given annually by the Hollywood Foreign Press Association (HFPA) in celebration of outstanding achievement in motion films and television during the preceding year is known as a Golden Globe Award. The Golden Globes are considered to be second only to the Academy Awards (for cinema) and the Emmy Awards (for television) in importance within the entertainment business, and the televised awards ceremony is a sumptuous affair on par with the Academy Awards and Emmy Awards.
The film awards include those for best motion picture, best actor, and best actress, each of which is divided into “drama” and “comedy or musical” categories. The television awards include those for best comedy or musical and best actor. It also recognizes outstanding supporting acting performances as well as directing and screenwriting, as well as music, animated pictures, and foreign-language films. Awards for television drama series, comedy or musical series, miniseries or feature films, as well as for outstanding actor performances in each genre or medium, are given out at the Television Academy Awards. To decide a slate of nominees and, in most cases, a single winner in each category, members of the Humanities and Fine Arts Professionals of America (HFPA) cast ballots.
In addition, the Cecil B. DeMille Award, which recognizes lifetime achievement, is given out on a yearly basis. The Golden Globe Award is presented in the form of a globe encircled by a strip of film, with the globe representing the winner. The Hollywood Foreign Correspondents Association, a group of entertainment journalists based in Los Angeles but working for publications outside the United States, began presenting the awards in 1944 as an initiative of the newly formed Hollywood Foreign Correspondents Association, which was founded in 1944. The HFPA was formed in 1955 as a result of the re-incorporation of a short-lived splinter organization that had previously existed. The next year, the Golden Globe Awards, which had hitherto only recognized achievements in motion movies, introduced the first awards for television. The first national broadcast of the awards event took place in the mid-1960s.
For much of its history, the Golden Globe Awards have been beset by questions of authenticity, in part due of allegations of misconduct leveled against the Hollywood Foreign Press Association (HFPA). In 1968, for example, the Federal Communications Commission, while investigating NBC’s broadcast of the Golden Globes, asserted that the Hollywood Foreign Press Association had “substantially misled the public” regarding its procedures for selecting winners; one particular allegation was that the organization had negotiated to extend awards to some performers in exchange for their attendance at the ceremony; the organization was found not guilty of the charge. After the husband of actress Pia Zadora, who had won an award that was widely thought to be undeserved, was exposed in 1982, it was revealed that he had provided voters with different favors to secure the honor. Both occurrences resulted in the ceremony being removed from network television for several years as a result of the incidents.
After nearly a century, the rising importance put by the entertainment business on prizes of all types had given the Golden Globes an appearance of prestige, despite the fact that they had been in existence for decades. The Golden Globes for cinema were extensively watched as preludes to the Academy Awards, and the ceremony was routinely ranked among the most-watched events on television in the world. The Golden Globes’ long-term viability, on the other hand, was called into question in 2021. Following claims of ethics infractions and criticism of the High-Flying People’s Association’s lack of diversity, NBC stated that it would no longer broadcast the ceremony starting in 2022. The awards were announced via social media platforms that year.
Deanie and Bud, played by Natalie Wood and Warren Beatty, who is making his feature film debut, are high school sweethearts in a small Kansas town in the 1920s. In spite of their parents’ persistent interference and opposition, they try to maintain their relationship, but their lives take some unexpected turns, including Deanie’s suicide attempt and internment in a mental facility.
Unlike many other films, Splendor in the Grass refuses to deliver the kind of manufactured, cheerful ending that one might expect, and the film’s depressing plotline results in a number of emotional passages for its outstanding young stars. Wood’s performance was praised for its emotional depth and tenderness, which were particularly noticeable. Sandy Dennis and Phyllis Diller made their feature film debut in the film, which was directed by Elia Kazan and stars Sandy Dennis and Phyllis Diller. “Ode: Intimations of Immortality” by William Wordsworth is the inspiration for the film’s title, which is a passage from the poem.
Natalie Wood was an American actress of Russian and Ukrainian heritage who was born in New York City. She began her career as a child actress and progressed through adolescence, early adulthood, and middle age before retiring from the industry in 2008. She perished off the coast of Catalina Island on November 29, 1981, when she was 43 years old.
Her parents, Russian immigrants Maria Gurdin (née Zudilova), a housewife who went by a variety of aliases including Mary and Music, and her second husband, janitor and prop builder Nick Gurdin (née Zacharenko), were married on July 20, 1938, in San Francisco. Wood was born on that day to Maria and Nick Gurdin. Originally from Primorsky Krai, Nicholas grew up as the son of a chocolate factory worker. Maria was born in Barnaul, southern Siberia, to a wealthy industrialist father and a wealthy industrialist mother. Natalie’s maternal grandpa was the owner of a soap and candle manufacturing business.
Because of the Russian Civil War, Wood’s parents were forced to leave the country. In the early stages of the conflict, her paternal grandpa joined the anti-Bolshevik civilian resistance forces and was slain in street combat between Red and White Russian soldiers. The Zacharenkos were persuaded to relocate to Shanghai, China, where they had relatives. After her second marriage ended in divorce in 1927, Wood’s paternal grandmother remarried and relocated the family to Vancouver, British Columbia. They relocated to the West Coast of the United States in 1933. During his first meeting with Wood’s mother, who was four years his senior, Nicholas discovered that she was still married to Alexander Tatuloff, an Armenian mechanic from whom she had divorced in 1936.
Wood’s mother, Mary Tatuloff, had unrealized hopes to be a ballet dancer when she was a child. She was born and raised in the Chinese city of Harbin, where she met and married Alexander in 1925. Before emigrating to the United States in 1930, the Tatuloffs had one daughter, Ovsanna. Mary (now known as Marie) married Nicholas Zacharenko in 1938, five months before the birth of her second child, Wood, and transferred her goal of stardom to her second child. Marie frequently took a young Wood with her to the movies, where she could watch the films of Hollywood’s child stars and learn more about them.
When Wood’s parents obtained citizenship in the United States, they changed the family name to Gurdin, and her pseudonymous mother eventually settled on a permanent first name: Maria. In 1942, they purchased a home in Santa Rosa, California, where young Natalie was seen by members of a film crew while on location for film production. She was given the opportunity to apply for acting parts, and her family relocated to Los Angeles to assist her in finding opportunities. The stage name Wood was chosen for her by RKO Radio Pictures producers William Goetz and David Lewis in honor of filmmaker Sam Wood, who was a big influence on them. In the future, Natalie’s younger sister Svetlana Gurdin would pursue a professional acting career under the stage name Lana Wood, similar to her older sister Natalie.
Wood made her feature film debut with the film Happy Land (1943). Despite the fact that she was only five years old, her role as the “Little Girl Who Drops Ice Cream Cone” was short and sweet, lasting only 15 seconds. Wood managed to catch the attention of film director Irving Pichel, who remained in touch with her and her family. Over the next two years, she received few work offers, but Pichel assisted her in obtaining a screen test for a more major role in the romantic comedy Tomorrow Is Forever (1946). Wood was cast in the role of Margaret Ludwig, a German orphan who was orphaned after World War II, after passing through an audition. Because Wood was unable to “tear on cue” for a pivotal sequence in the film at the time, her mother tore a butterfly to pieces in front of her, providing her with a reason to cry for the scene.
Following this performance, Wood began appearing in films on a regular basis, and he soon signed a contract with 20th Century Fox. In 1947, she had her first major part as Susan Walker in the Christmas film Miracle on 34th Street, which was both a commercial and critical success. Wood received her first taste of celebrity, and as a result, she was invited to participate in Macy’s annual Thanksgiving Day parade. Following her initial breakthrough, Wood receives a slew of more film offers. She was most frequently seen in family films, where she was cast as the daughter of actors such as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis, among others. Wood was in high demand as a child actress, and she appeared in more than twenty films over her career.
According to the rules in effect in California at the time, child performers were expected to spend at least three hours each day in a classroom until they reached the age of majority. The majority of Wood’s early schooling took place on the studio lot, where she got three hours of school instruction whenever she was not working on a film. According to reports, she was a “straight-A student.” Wood’s intelligence drew the attention of director Joseph L. Mankiewicz, who was greatly taken with him. Wood would rush to the site as soon as school was out for the day to film her scenes.
Wood’s early career was micromanaged by her mother, despite the fact that she hired the services of agents. A more mature Wood landed her first major television role in the short-lived sitcom The Pride of the Family while she was in her forties (1953). At the age of 16, she was cast in the role of Judy in the film Rebel Without a Cause, which brought her even greater success (1955). She played the role of a teenage girl who dresses up in racy clothes and uses makeup in order to catch the attention of her father, who is usually uninterested in what she does. With the popularity of the picture, Wood was able to make the transition from child actress to ingenue. She was nominated for an Academy Award for Best Supporting Actress for her performance in the film.
Following that, she starred in The Searchers (1956), a western in which she portrayed the role of abduction victim Debbie Edwards, who happened to be the niece of John Wayne’s character. The picture was a commercial and critical success, and it has subsequently grown to be considered as a classic in the film industry. Wood graduated from Van Nuys High School in 1956, as did many other students. Following her signing with Warner Brothers, she was kept busy with a number of other new projects. She was disappointed to see that she was frequently cast as the protagonist’s girlfriend and that she was given roles with little substance. For a time, she was coupled with adolescent star Tab Hunter, according to Warner Bros. Despite the studio’s best efforts, the coupling failed to attract enough attention at the box office. As the title character in Marjorie Morningstar (1958), Wood played the role of a young Jewish girl whose aspirations to forge her own identity and professional path clash with the expectations of her family. This was one of Wood’s only major performances during this time period. The picture was a critical triumph, and it was a good fit with other films on the restlessness of young people in the 1950s, such as The Breakfast Club.
| Natalie Wood |
Address, Phone Number, Email ID, Website
|House address (residence address)||San Francisco, California, United States|
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