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Timothy Dalton Contact Details:
REAL NAME: Timothy Dalton
NICKNAME: Timothy Dalton
DOB: March 21, 1946
BIRTHPLACE: Colwyn Bay, United Kingdom
BIRTH SIGN: Aries
FATHER: Peter Dalton Leggett
MOTHER: Dorothy Scholes
SPOUSE / WIFE: NA
INSTAGRAM HANDLE: https://www.instagram.com/timothypeterdalton/
TWITTER HANDLE: https://twitter.com/daltonfishers
FACEBOOK HANDLE: https://www.facebook.com/timdaltonator
Timothy Dalton Bio
Timothy Leonard Dalton Leggett is a British actor who was born on March 21, 1946. He began his acting career on stage and made his film debut in the 1968 historical drama The Lion in Winter as Philip II of France. He rose to fame as the fourth actor to play fictional secret agent James Bond in the Eon Productions film series, in which he appeared in The Living Daylights (1987) and Licence to Kill (1988). (1989). Dal Timothy Leonard Dalton Leggett is a British actor who was born on March 21, 1946.
He began his acting career on stage and made his film debut in the 1968 historical drama The Lion in Winter as Philip II of France. He rose to fame as the fourth actor to play fictitious secret agent James Bond in the Eon Productions film series, in which he appeared in The Living Daylights (1987) and Licence to Kill (1988). (1989). Dalton also starred in the films Flash Gordon (1980), The Rocketeer (1991), Looney Tunes: Back in Action (2003), Hot Fuzz (2007), and The Tourist (2007). (2010). On television, Dalton has played Mr. Rochester in the BBC adaptation of Jane Eyre (1983), Rhett Butler in the CBS miniseries Scarlett (1994), Rassilon in the BBC One science fiction adventure Doctor Who (2009–2010), Sir Malcolm Murray on Showtime’s horror drama Penny Dreadful (2014–2016), and the Chief on the DC Universe / HBO Max superhero comedy-drama Doom Patrol (2019–present).
In the miniseries Sins, Dalton featured alongside Joan Collins (1986). In addition, he was replaced in two films in which he had been cast. In the film Lady Caroline Lamb, he was offered the role of real-life British Prime Minister William Lamb. At the last minute, the filmmakers replaced him with Jon Finch, and Dalton sued for breach of contract, winning an out-of-court settlement. In 1985, Dalton was cast in Roman Polanski’s film Pirates as Don Alfonso de la Torré. Polanski replaced Dalton with Damien Thomas since the two men didn’t get along.  James Bond (1986–1994) was a British spy who lived from 1986 to 1994.
Hot Fuzz (2007), and The Tourist (2007). (2010). On television, Dalton has played Mr. Rochester in the BBC adaptation of Jane Eyre (1983), Rhett Butler in the CBS miniseries Scarlett (1994), Rassilon in the BBC One science fiction adventure Doctor Who (2009–2010), Sir Malcolm Murray on Showtime’s horror drama Penny Dreadful (2014–2016), and the Chief on the DC Universe / HBO Max superhero comedy-drama Doom Patrol (2019–present). Early years time of his son’s birth, and an American mother, Dorothy Scholes, who was of Italian and Irish origin.
Timothy Dalton, who stands a consistently slim 6′ 2″ and has green eyes, may be the last of a fading breed of swashbuckling, classically trained Shakespearean actors who have established great careers in theatre, television, and film. He was compared to Sir Laurence Olivier in Wuthering Heights (1970) and Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in Scarlett Johansson in (1994). He has always claimed that he enjoys the danger of challenges, and he is unfazed by them. He was the oldest of five children born to Dorothy (Scholes) and Peter Dalton-Leggett in Colwyn Bay,
. During World War II, his father was stationed in Colwyn Bay, and in the late 1940s, he moved the family to Manchester, where he worked in advertising and reared the growing Dalton family in an upper-class neighborhood outside of Belper, Derbyshire. Timothy was enrolled in a gifted and talented school, where he excelled in sports and was fascinated by science. He had always been interested in playing, perhaps because both of his grandfathers were vaudevillians, but it wasn’t until he witnessed a performance of “Macbeth” at the age of 16 that his fate was sealed.
He traveled with Michael Croft’s National Youth Theater after graduating from Herbert Strutt Grammar School at the age of 16. He attended the Royal Academy of Dramatic Art from 1964 to 1966. (RADA).In 1995, Dalton began a relationship with Oksana Grigorieva which produced a child in 1997, Dalton’s son Alexander. Over the following years, Dalton has been a caring and loving father of his son.
“It took a year to undo the psychological harm that the authoritarian teachers created,” Dalton subsequently remarked about RADA in a December 1970 interview with “Seventeen” magazine. He was already establishing a pattern in his films that would last the rest of his career: costume dramas in which he played royalty, as he had done in three of his first four (and ridden horses in three, and raised a sword in two). He was cast in the film Lady Caroline Lamb in 1972. (1972).He returned to film in 1975 with The Executioner, a British/Austrian production (1975). In 1976, it was followed by The Man Who Knew Love (1976), a Spanish religious historical film about the Inquisition that was never extensively distributed. After that, he took a hiatus from film, combining it with a fair dose of theatre before returning for his first American picture, Sextette (1977), and the long miniseries Centennial (1978), in which Lynn Redgrave played his wife.
He began to get more frequent film and television work in the United States as a result of his broad exposure to American audiences in this series, including the Charlie’s Angels (1976) episode “Fallen Angel” (which ironically had several references to his character being like James Bond) and the TV movie The Flame Is Love (1979). Although he appeared in a few films, including Agatha (1979), in which he played Vanessa Redgrave’s husband, he primarily worked in television movies and miniseries until 1985.
In the science-fiction film Flash Gordon, he played Prince Barin (1980). Following that, he made a tiny film called Chanel Solitaire (1981), as well as a staged performance of Antony and Cleopatra (1984) featuring Lynn Redgrave, Anthony Geary, Nichelle Nichols, and Walter Koenig from the original Star Trek: The Original Series (1966) series. His most productive years were 1983-1987. He played Rochester in the popular BBC miniseries Jane Eyre, which he considers to be one of his best efforts, in 1983. (1983). Roger Moore was also considering leaving Bond at this time, and Dalton was approached again, but he had to decline due to his busy schedule.
In the Faerie Tale Theatre’s (1982) production of The Emperor’s New Clothes, he performed one of his many narrations in 1984. (1987). In the same year, he starred alongside Michael York and Richard Thomas in the Hallmark Hall of Fame film The Master of Ballantrae (1984), as well as Stefanie Powers and Stacy Keach in Mistral’s Daughter (1984). The following year proved to be equally hectic. In 1986, he played Joan’s brother in another miniseries, Sins. His talent and classic good looks won him professional television work right away, with guest appearances on Judge Dee (1969) and as a regular on the 14-episode series Sat’day While Sunday (1967) with young Malcolm McDowell.
The Lion in Winter (1968) in late 1967 (which also happened to be Anthony Hopkins’ big break). The following year, he co-starred alongside Marcello Mastroianni and Virna Lisi in the Italian film The Voyeur (1970), however his voice was dubbed into Italian by another actor. During this time, Dalton also included a good dose of BBC work, such as The Three Princes (1968), BBC Play of the Month: Five Finger Exercise (1970), and Candida (1973). He was also approached and tested for the character of James Bond in On Her Majesty’s Secret Service (1969), which he passed down because he thought he was too young for the part. Cromwell (1970), his next costume drama, was filmed with director Ken Hughes, with whom he later made his first American picture, Sextette (1977).
Timothy Dalton, at 6′ 2″ and green-eyed, may be one of the last of the disappearing breed of swashbuckling, classically trained Shakespearean performers who have achieved success in theatre, television, and film. He’s been compared to a slew of actors, starting with Sir Laurence Olivier in Wuthering Heights (1970) and moving on to Scarlett Johansson in the same year (1994).
Without fear or favour, he has always made it clear that he enjoys the uncertainty that comes with new endeavours. Dorothy (Scholes) and Peter Dalton-Leggett were the parents of five children, and he was the eldest. As a result of his father’s service in World War II in Colwyn Bay, his family relocated to Manchester, where he worked in advertising and raised the expanding Dalton family in an affluent neighbourhood outside of Belper, Derbyshire. As a student at an elite private school for gifted youngsters, Timothy excelled academically and athletically and had a keen interest in science. The fact that both of his paternal grandfathers were vaudevillians may have contributed to his early interest in acting, but it wasn’t until he was 16 years old and attended a production of “Macbeth” that he knew he wanted to be an actor.
As a 16-year-old actor with Michael Croft’s National Youth Theater, he toured the United States. He attended the Royal Academy of Dramatic Art from 1964 to 1966. (RADA). Peter Dews, the director of the Birmingham Repertory Theatre, had just finished his two-year contract and invited him to join the cast of numerous plays, which he did. He also appeared in the films The Living Daylights (1987) and Licence to Kill (1989) at the same time. “It took a year to undo the psychological damage that was caused by the harsh teachers,” Dalton remarked in an interview with “Seventeen” magazine in December 1970.
A guest appearance on Judge Dee (1969) and a recurring role on Sat’day While Sunday (1967) with a young Malcolm McDowell made him an instant success in the television industry for his natural talent and timeless good looks. After receiving a recommendation from Peter O’Toole in late 1967, he was cast as the youthful King Philip of France in The Lion in Winter (1968). With Marcello Mastroianni and Virna Lisi in the Italian movie The Voyeur (1970), his voice was dubbed into Italian by another actor. This period saw Dalton work on a number of BBC productions, including The Three Princes (1968), BBC Play of the Month: Five Finger Exercise (1970), and Candida (1971). (1973). On Her Majesty’s Secret Service (1969) also approached him for the role of James Bond, but he turned it down because he thought he was too young. Cromwell (1970), a costume drama directed by Ken Hughes, was his next feature. He later collaborated with Hughes on his first American picture, Sextette (1977). Cromwell (1970) was followed by Wuthering Heights (1970) and Mary, Queen of Scots (1970). (1971).
In his first four films, he had already established a pattern that he would carry with him throughout his career: costume plays in which he played royalty (and ridden horses in three, and raised a sword in two). As far back as 1972, he was cast in Lady Caroline Lamb (1972). However, at the last minute, he was replaced. After losing his lawsuit against the production firm, Dalton was unable to appear in the picture. In the early to mid-1970s, he chose to return to the stage full-time in order to polish his acting abilities. “Romeo and Juliet,” “King Lear,” “Henry V,” “Love’s Labors Lost,” and “Henry IV” – parts 1 and 2 were some of the roles he took on with the Royal Shakespeare Company and the Prospect Theatre Company.
In 1975, he made a comeback in the cinema as The Executioner, a British/Austrian film (1975). The Man Who Knew Love (1976), a Spanish religious historical film about the inquisition, was released in 1976, however it was not widely distributed. After that, he had a second vacation from acting and returned to film for his first American feature, Sextette (1977), and his first appearance on American television, Centennial (1978), in which Lynn Redgrave played his wife. Since his wide exposure to American audiences in this series, he began to appear frequently in American films and television shows like Charlie’s Angels (1976) and the TV drama The Flame Is Love (1978), both of which contained multiple references to his character being like James Bond (1979). Although he appeared in a few feature films, most of his work up to 1985 was in television movies and miniseries. he portrayed Prince Barin in Flash Gordon, one of science fiction’s classics (1980). Chanel Solitaire (1981) and Antony and Cleopatra (1984) with Lynn Redgrave, Anthony Geary, and Nichelle Nichols and Walter Koenig of the original Star Trek (1966) series followed this.
His most productive years were from 1983 to 1987. He played Rochester in the popular BBC miniseries Jane Eyre in 1983, which he considers one of his best works (1983). Roger Moore was considering leaving Bond at this time, and Dalton was approached again, but he had to decline because of his busy schedule. He narrated The Emperor’s New Clothes for the Faerie Tale Theatre in 1982, and he reprised the role in 1984. (1987). Also in 1984, he appeared in The Master of Ballantrae (with Michael York and Richard Thomas) and Mistral’s Daughter (with Stefanie Powers and Stacy Keach, both on the Hallmark Hall of Fame). The following year was just as hectic. As the brother of Joan Collins in the 1986 miniseries Sins, he also starred in and narrated the four-hour miniseries Florence Nightingale with Jaclyn Smith. He also appeared with Stephen Rea, Jonathan Pryce, and Patrick Stewart in The Doctor and the Devils (1985).
Many nature documentaries were narrated by Dalton in the mid-to-late 1980s, most notably numerous episodes of the UK series Wildlife Chronicles (1987). As Petrucchio in The Taming of the Shrew (1988) with Vanessa Redgrave in the spring of 1986, he garnered unanimously high appreciation for his performance. At the same time, people throughout the world were speculating about who would succeed Roger Moore as Bond. Pierce Brosnan was offered the role of Dalton since Dalton was already committed to the theatre. Dalton was approached again when Brosnan was unable to get out of his contract for Remington Steele (1982) at the last minute. He accepted because he was able to fit it into his already hectic agenda. If The Living Daylights (1987) was a moderate box office triumph for Daniel Craig as Bond, Licence to Kill (1989) was hampered by a lack of marketing that appeared to hinder the film’s prospects for major success. It has been said that Dalton is the closest to Ian Fleming’s literary “Bond” in this picture, but that has not been universally agreed upon. A Touch of the Poet by Eugene O’Neill, in which he reunited with Vanessa Redgrave for a revival, is considered by some to be their best professional collaboration. Despite the fact that the play was discussed as a possible Broadway production, this did not happen.
His next film, The King’s Whore (1990), was a return to the genre he excels in: costume drama (1990). In the Disney action adventure The Rocketeer (1991), he was great as an Errol Flynn-like Nazi operative. For the final sold-out performances of the play in Los Angeles in August 1991, he collaborated with Whoopi Goldberg for the first multiracial version of “Love Letters.” For three films, he had signed on to play Bond. But lengthy legal battles over Bond film rights delayed production of the third. A historical epic called Christopher Columbus: The Discovery would have kept him busy while he waited (1992). However, the competition with Gérard Depardieu’s “Columbus,” which had its own issues, doomed the project from the outset. Isabella Rossellini, Dalton’s co-star, followed him out the door when the director was replaced.
At the 1993 New York Film Festival, he was nominated for a bronze medal in the A&E production Framed (1992). The next year, he travelled to northern Alaska and Minnesota to film a documentary about wolves, one of his favourite topics. Silver prize for In the Company of Whales (1991) at New York Film Festival in 1994. Through 1993 and 1994, he remained active in television. He starred in Red Eagle (1994), Scarlett (1994), and Tales from the Crypt (1989)’s “Werewolf Concerto” episode. In 1994, he played Rhett Butler in Robert Halmi Sreight-hour .’s drama Scarlett (1994) for the Hallmark Hall of Fame, which he produced himself. James Bond’s producers were deeply saddened when he officially stepped down from the role in April of that year. They were able to understand his reasons for doing so, though. Pierce Brosnan was awarded the job after two months of talks.
Peter and the Wolf was performed twice at the Hollywood Bowl in September 1994, both times by Dalton. Despite a lacklustre reception from reviewers, Scarlett (1994) was a huge ratings hit in the United States and around the world, breaking records in several European nations. This time around, Dalton discreetly and without fanfare departed to hunt for his next project, which he considered to be an independent film. He went to Canada in the summer of 1995 to go hunting for Salt Water Moose (1996). Canadian Norstar Entertainment made the picture and sold it to Halmi for the first video release of his new Hallmark family movie. June 1996 saw its debut on Showtime.
| Timothy Dalton |
Address, Phone Number, Email ID, Website
|Phone Number||+44(0)20 7636-6565|
|House address (residence address)||Colwyn Bay, United Kingdom|
Timothy Dalton Address information:
Independent Talent Group Ltd.
40 Whitfield Street
London, W1T 2RH
Timothy Dalton Official website: http://www.independenttalent.com/
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Timothy Dalton phone number: +44(0)20 7636-6565
Timothy Dalton email id: NA
Timothy Dalton Fan mail address:
Independent Talent Group Ltd.
40 Whitfield Street
London, W1T 2RH